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Kauai Writers Conference and Master Classes - with bestselling authors, top literary agents and publishing consultants.

November 10-16, 2025

Fiction | Nonfiction | Memoir | Poetry | Screenwriting | Top Authors | Literary Agents

Master Classes:
November 10th-13th, 2025

Conference:
November 14th-16th, 2025

2025 MASTER CLASSES

 

How to Write a Great Short Story

Heidi Pitlor

Curtis Sittenfeld

Next Level Writing

Meg Wolitzer

Christina Baker Kline

Paula McLain

Advanced Narrative Design

Jean Kwok

Defining Your Author Brand

Lisa Sharkey

Killer Characters: Creating a Dynamic Unforgettable Cast

Danielle Trussoni

Mastering the Scene

David Kirkpatrick

Pens Up, Fears Down!

Sadeqa Johnson

Publishing 101 for Writers

Tom Colgan

What’s Love Got To Do With It?

Ali Hazelwood

Lyn Liao Butler

Hacking Writing on a Line Level

CeCe Lyra

Starting Your Novel

Liz Moore

Janelle Brown

Writing Lyric Poetry

Tim Seibles

Intimacy: Getting to Know Your Characters

Joshua Mohr

Lessons from Historical Fiction

Priya Parmar

Breakout Debut Sensations

Jynne Dilling

Laughter Through Tears

Steven Rowley

Writing About Relationships

Jeanine Cummins

The Storytellers Craft

Patti Callahan Henry

Ariel Lawhon​

Achieving Successful Publication

Ryan Harbage​

SPONSORED BY:

Nicholas & Elena Delbanco
Charitable Fund

ADVISORY BOARD

Adrienne Brodeur
Lyn Liao Butler
Patti Callahan Henry
Christina Baker Kline (chair)
Kevin Larimer
Paula McLain
Priya Parmar
Heidi Pitlor
Meg Wolitzer

MORNING MASTER CLASSES

4 Days | Monday 11/10 – Thursday 11/13  2025 |  9:00am to 12:00

How to Write a Great Short Story:
Cultivating Empathy, Voice, and Character in Short Fiction

with Heidi Pitlor & Curtis Sittenfeld

 

Join the guest editor and series editor of the 2022 volume of perennial bestseller, The Best American Short Stories, for a rare look inside a beloved American genre. Short stories are often the chosen form of new fiction writers. Increasingly, film scouts and content providers are looking to short stories for potential adaptation and publication. Mastering the short form may be your goal, or may be a useful skill in learning to write and revise novels. Sittenfeld and Pitlor discuss what they looked for when choosing The Best American Short Stories, and what all writers can learn from this.

Through discussion, generative exercises, close study of successful short stories, and question and answer sessions, Sittenfeld and Pitlor will guide you toward seeing your own and others’ fiction in a new way. They’ll discuss structure, point of view, narrative distance, characterization, as well as learning to cultivate your individual process and voice as a writer. Every piece you write is different, and must be approached in a different way. Learning to master one story is a great way to learn about your own process as a writer.

Next-Level Writing: Mastering the Craft of Exceptional Storytelling

with Christina Baker Kline, Paula McLain & Meg Wolitzer

 

Building on the popularity of their introductory “Turning Life into Art,” masterclass, this advanced workshop is designed for experienced writers ready to refine their craft and push creative boundaries. Taught by celebrated authors Meg Wolitzer, Paula McLain, and Christina Baker Kline, this intensive course offers a rare opportunity to earn a deeper understanding of the art of writing.

Through close reading of select texts, in-depth seminar-style discussion of craft and technique, and intensified focus on writing and revising pivotal scenes, participants will explore how to draw inspiration from life and shape it into compelling fiction or memoir. You’ll hone your voice, experiment with narrative structure, and master the balance of mining personal experience while working toward the highest level of craftsmanship and intentionality.  Each participant will receive personalized workshop-style feedback in smaller groups, guided by one of the instructors. The course will culminate in a final class where we’ll reflect on lessons learned, share insights, and discuss next steps for each writer’s project.

Participants should be actively working on a manuscript-in-progress, whether fiction or memoir. Previous publication credits are welcome but not required.

Join us to take your writing to the next level, guided by three renowned authors who will inspire, encourage and challenge you.

What Makes the Story Go?

with Rebecca Makkai

 

In narrative prose, it’s plot — cause and effect, development, change, suspense — that propel us forward. In less narrative prose, we have to rely on other propulsions: lyricism, innovation, surprise, rhythm, revelation, borrowed forms. And, as in every art, it’s helpful to master the traditional forms before you break the rules.

Through short readings and discussions, we’ll look at both the structure of traditional short narratives and also at the wildest formal experimentation being done today. And we’ll talk about how these forms of momentum transfer to longer projects (novels, novellas, memoirs). In this generative class, our own writing prompts will take us in both directions: writing page-turning narrative momentum on the one hand, and playing with form on the other. We’ll focus on arc, on shape, on plot or the lack thereof — asking, in every case, what moves the story along, and how to make it impossible to put down.

Advanced Narrative Design: Keeping Readers Hooked

with Jean Kwok

 

This will be an advanced version of the class that Jean Kwok offered last year. It will be suitable for both previous and new students. Her existing and previous students may register for it at this time.

Students who have not yet taken a class by Jean are asked to submit a 3 to 5 page excerpt from their writing and a 1 page description of their writing history and dreams (i.e., how long have you been writing, what do you hope to achieve, etc.) to info@kauaiwritersconference.com. Jean will review these before inviting those students to register. This is a class for writers who are serious about publishing a novel with a traditional publisher and building a successful career as a professional author. If you have been rejected by gatekeepers like agents and editors, this class offers ways of strengthening your manuscript. Only writers who are open to questioning, breaking apart and restructuring their existing work should apply. If you are writing for self-fulfillment or as a hobby, this is not the right class for you. There are a limited number of spaces available for this advanced class

Jean Kwok’s novels consistently hit the sweet spot between literary and commercial fiction. Her award-winning books are taught in schools around the world while hitting the New York Times and international bestseller lists. She often uses material from her own life, transforming sometimes painful experiences into art, and is living her dream of being a full-time, successful author. A gifted, encouraging, and experienced teacher, she is now ready to share her secrets with you in this rare opportunity. She writes:

We’ve all been there. You have a pile of carefully polished pages, yet they don’t seem to cohere. Or you have a sprawling monster of a novel that resists any attempt to tame it. Or maybe it’s always been your dream to write a novel but you have no idea how to get started. We all love to move commas around but often, our work needs larger structural changes to make it as compelling and powerful as possible.

This is a class that looks at different ways to plot and structure a novel, including treatment of character development, themes, setting, voice, and point of view. You don’t need to have a draft of a novel to attend.

Our ultimate goal is to help you find a stronger structure for your novel that could lead to publication.

Defining Your Author Brand

with Lisa Sharkey

 

Many people have wonderful ideas for their books. But one thing most author hopefuls don’t have is the awareness that every book and every author is a brand. In this class you’ll come to realize that as important as it is to write a great book, it’s equally important to figure out who is going to read your book and where are you going to find your readers?

Lisa Sharkey, senior vice president and director of creative development at HarperCollins for more than 16 years, has helped hundreds of authors hone brand-building skills to grow their audience in both fiction and non-fiction book publishing.

What’s the right social media vertical for you?
How do you generate buzz about your book even before you have sold it?

Should you write the whole book first or should you focus as much on growing your audience as finishing your pages? What kinds of posts attract the most attention from your existing audience, and which posts will introduce you to new audiences who haven’t even heard about you yet?

In addition to publishing dozens of New York Times, bestsellers, Lisa oversaw the creation of a social media marketing programming at HarperCollins with more than 33 million views in just a few short years and has deep knowledge of how to position authors for maximum exposure.

The course will also include one on one attention in front of the class for each attendee as we structure their brand development and help them frame their author platform and profile for maximum exposure.

Killer Characters:
The Art of Creating a Dynamic, Unforgettable Cast in Fiction and Memoir

with Danielle Trussoni

 

When writing fiction and memoir, we often turn to plot devices to hook readers. But a great story is only possible with magnetic, fully developed and dynamic characters. This is true not only for the protagonist, but the entire cast. From allies to enemies, friends to villains to foils, the people we meet in a book are what keep us turning the pages. In fact, when we think of our favorite stories, it’s always the characters we remember most.

This class is an intensive investigation into the art of creating three-dimensional, unforgettable characters that keep readers engaged from the beginning of a story to the end. It doesn’t matter if you’re writing literary fiction, memoir, crime fiction, a thriller, romance, or fantasy: the depth of your characters will make or break your story. Through discussions, readings, writing prompts, generative writing, and examination of some of the most beloved characters in literature, we will get to the heart of what makes magnetic characters. And how you can create them.

Characters are the source of every aspect of a story—from how readers see the world, to the conflict, the setting and the theme. To this end, this class will explore questions such as: What is the function of character in narrative and what are the various roles that characters play? How does point of view work and which character’s POV is the most effective in your story and why? What is great dialogue? How can dialogue be an effective narrative tool? What is the difference between real people and characters in fiction and memoir? What are some of the most memorable characters in literature and how did they come into existence? How does the writer’s life influence their art and the creation of character? What is the ideal cast for your fiction? How do you create a dynamic balance between character description, action, dialogue and theme?

Using your work in progress, we will create character maps that help you elevate and understand the people in your narrative, define character key roles, explore ways that characters carry plot, and analyze all the ways that the right characters can change your narrative.

Mastering the Scene: Crafting Unforgettable Moments

with David Kirkpatrick

 

Legendary director John Ford once said, “You need five great scenes to make a great movie.” Kirkpatrick has built his career on this principle, collaborating with writers to craft indelible production-ready moments in their screenplays.

“The scene is the foundation of any movie or play,” says Kirkpatrick. “You’ve got to immerse yourself into the psyche of the actor to create ‘playable’ stories.” In this dynamic four-day workshop, you’ll not only learn how to conceptualize and write compelling scenes, but you’ll also embody them.

Through immersive Scene Labs, participants will bring their scripts or plays  to life—acting out their own scenes, exploring iconic moments from award-winning films, and using wardrobe pulled from your suitcase and objects found around the hotel to uncover how simple details can elevate the read.

You’ll delve into the subtle yet powerful “temperature change”—the emotional shift that occurs when an actor enters a scene and  exits the scene.

This hands-on approach emphasizes a powerful truth: to truly master a scene, you must play every part. By stepping into the shoes of actors, writers gain invaluable insights into dialogue, pacing, and physical storytelling.

When you leave this workshop, Kirkpatrick’s goal is clear: to equip you with the “secret sauce” of scene-making—ensuring your screenplay isn’t just good on paper, but irresistible to directors, producers, and audiences alike.

Prepare to write, act, refine, and feel your scenes. Prepare to create moments that don’t just sit on the page—they command the stage and screen.

“I never learned so much about writing than at the literary Disneyland David created for all of us in Kauai.” – Playwright

“Embodying the character as I write changed the whole trajectory of my career. I’ve had a script produced and two others optioned since taking David’s workshop.” Screenwriter

Pens Up, Fears Down!

with Sadeqa Johnson & John Searles

 

Do you have a powerful story inside you just waiting to be told? Are self-doubt and fear holding you back from starting or finishing your novel? Creativity belongs to everyone—this is your moment to bring your ideas to life with expert guidance!

Join bestselling, beloved authors Sadeqa Johnson and John Searles for an energizing, hands-on workshop designed to ignite your creativity, boost your confidence, and transform your raw ideas into a captivating manuscript. Whether you’re working with a first or partial draft, scattered notes, or just a flicker of inspiration, this class will help you deepen your story, elevate your craft, and create a manuscript that agents, publishers, and readers can’t resist.

In a supportive, intimate setting, you’ll learn proven tips on character development, plot, and story structure. Plus, gain practical tools to overcome obstacles, sharpen your skills, and set achievable goals. We’ll also explore the “writer’s mindset” needed to stay disciplined, focused, and motivated on your writing journey.

Your story is waiting—don’t let fear hold you back. Join us and start writing the book you’ve always dreamed of.

 

Publishing 101 for Writers

with Tom Colgan

 

There’s never been a better time to be an author. Your options for publication are greater than they’ve ever been. So what’s holding you back?

Over the course of my forty-year publishing career, many authors have complained that they were daunted because they found the whole publishing process to be opaque. They worried that they were “breaking the rules” or unwittingly “stepping on land mines.” Let me explain the entire process to you, from the first time you sit down to write, until your book hits the Times list.

It will be four days of some lecture but much more discussion, demonstration, and participation. Each day we will discuss a different aspect of the process (with some inevitable crossover). Topics will include but not be limited to the below.

Day One—The Author

 

  • How Do I Make My Book Stand Out?
  • Plotter or Pantser? Which is Correct? (Spoiler: They both are, but there is one universal method that you must use)
  • Three Tricks to Sharpening Your Writing
  • The Rules of Writing (Actually, they don’t exist, but there are questions you need to be prepared to answer):
    1. How long is the book?
    2. Is it part of a series?
    3. Does my background bring anything to the table?
  • Should I go Indie or Trad? (One does not preclude the other)

Day Two—The Agent

 

  • Looking for an Agent
  • Writing the Perfect Query Letter:
    1. Picking comp titles
    2. Positioning your book on the shelf
    3. What to highlight in your background
    4. Etc.
  • Signing with an Agent
  • What to Expect in the Agent/Author Relationship
  • Submitting to Publishers
  • Post-Acquisition Work

Day Three — The Editor

 

  • What Happens When the Book Comes into the Publisher
  • What an Editor is Looking For
  • Presenting to the Editorial Board
  • The Acquisition Process:
    1. Finding Comp Titles (We don’t use yours)
    2. Creating a Profit & Loss Statement (We’ll go through one in the class)
    3. Different kinds of Auctions (We’ll do a mock auction in the class)
    4. Negotiations between Agent and Editor
  • Working with Your Editor on the Manuscript

Day Four — The Publisher

 

  • Scheduling the book
  • How to Design the Cover
  • The Copyeditor
  • Text Design
  • The Proofreader
  • Publicity and Marketing (What you can expect the publisher to do and what you’ll have to do yourself)
  • Sales Distribution (Why are there no copies at my B&N and what can I do about it?)
  • The Life Cycle of the Book (What happened to mass market?)

What’s Love Got To Do With It?

with Ali Hazelwood & Lyn Liao Butler

 

Are you writing a full-length romance novel, or struggling to add a compelling romance subplot in other genres? In this immersive class, Ali Hazelwood, along with Lyn Liao Butler will discuss the following topics: genre conventions, how romance has changed through the years, the exploration of the current state of romance, open and closed-door scenes, and subgenres of romance. Through writing exercises, they will guide you in writing high concept pitches, how to flesh out a setting as well as create characters that a reader will want to see fall in love, and how to create conflict and build tension between the characters using external vs internal conflict, and how to combine them. This class is open to writers of all genres who want to create believable love scenes. Get ready to heat up the pages and give your romance novel or romance subplot its very own happy ending.

AFTERNOON MASTER CLASSES

4 Days  |  Monday 11/10 – Thursday 11/13  2025  |  1:30 to 4:30pm

Hacking Writing on a Line Level:
A Guide to Elevating Your Story One Word at a Time

with CeCe Lyra

 

What is the main difference between a book and a movie? Movies have tools such as special effects, actors, lighting, soundtracks (and more!) at their disposal. Authors only have one tool: words. Which is why writers must ensure that their prose shines on the level of the line. It’s not enough to have a great idea or even an outline for a story—you must know how to write it in a way that is compelling to the reader.

The masterclass will cover various aspects of line-level writing into your story, including:

  • How to audition every word in your manuscript in a way that feels manageable;
  • A practical guide on keeping the reader emotionally invested and curious;
  • Striking the balance between overwriting and underwriting;
  • How writing on a line level can affect the pace of your story;
  • Craft tips on ensuring sentence variety and freshness;
  • Weaving in figures of speech, imagery, and symbolism in a way that feels original and effective;
  • How to develop and strengthen your voice as an author;
  • Effectively writing dialogue;
  • How to identify common mistakes related to line-level writing in your own work;
  • Revision techniques;
  • How to create your own unique resource filled with inspiration on line-level writing; and
  • Tips and tricks to identify strong line-level writing in the books you read—so you can be a life-long learner.

Join us for a class filled with actionable tips and tricks on how to elevate your writing on a line level. We’ll have slides with examples from successful books, workshops, and discussions in class.

Starting Your Novel: People, Place and Problem

with Liz Moore & Janelle Brown

 

This class will move students through one approach to beginning (or reimagining) a novel-length work. For our first three sessions, we’ll look closely at model texts for inspiration on how to establish setting (“place”), how to create vivid characters (“people”), and how to come up with a memorable inciting incident (“problem”) that will give students the foundation they need to write a complete novel. We’ll give live prompts and assignments related to these concepts; students will have time in class to generate text. Toward the end of our third session, we’ll guide students through creating a cohesive novel opening that incorporates all three lessons. During our fourth session, we’ll share, discuss, and begin to revise our work.

The Heart Never Rests: Writing Lyric Poetry

with Tim Seibles

Lyric: 2) a poem of a type that expresses the writer’s emotions

Almost always, we write poems because a feeling has driven us to say something. It seems we can’t help but lead with our hearts. Given this, it’s clear that all poems—narrative, pastoral, political—have lyrical aspects. The emotions fueling the words may be gentle or volcanic, but most often, we write to express exactly how we feel about an idea or event that affects our lives. As poets, however, we want to find language that compels others to feel with us, words that speak meaningfully to the reader. We’ve all been gripped by poems written by someone we’ve never met, sometimes by poems written centuries before we were born.

But how is it done? How can we write poems that touch someone whose life may be utterly separate from our own? In this workshop, we will read emotively rich poems and, using writing prompts, develop some useful knowledge about how such poems are written. Come ready to read, think hard, and write.

Intimacy: Getting to Know Your Characters so Readers Can Too (Afternoon)​

with Joshua Mohr

 

The best plots aren’t controlled by the author. They spring from the characters themselves. The writer masterminds all things, yes, but the more we as writers realize that our characters are sovereign beings with independent consciousnesses, the better prepared we are to create stories that are poignant, complicated, and emotionally volatile. In this master class, we will ponder characters’ decision making, the causality between plot points, and how to keep a reader flipping pages. We’ll delve into specific tactics for constructing present action and folding in backstory. All of these various craft elements speak to the greatest goal we have as storytellers: imbuing our characters with the dignity of complexity.

Lessons from Historical Fiction

Priya Parmar

 

This class is an exceptional opportunity both for writers of historical fiction to hone their craft, and for writers of other genres to apply the insights from historical fiction to bring verisimilitude to their own characters. It is designed for writers at all levels of accomplishment.

Historical fiction presents unique challenges. It is neither biography nor pure fiction. Subjects’ lives must be meticulously researched, and the knowledge gained has to inspire rather than merely be reported upon. Achieving a distinctive voice for each character is nowhere more important than in historical fiction. Each must come alive on the page with authenticity, remaining always true to their personality. Priya will inspire their students with accounts of their fascination in immersing themselves in the lives of real people, and extrapolating narratives as plausible as if they were purely factual.

Historical fiction presents its own challenges of point of view, character development, and story arc. Priya deals with these issues in a unique way. You will learn not merely to imitate Priya, but to adapt the lessons she has learned to tell your story in the way that rings most true to you and your characters.

Breakout Debut Sensations

with Jynne Dilling

 

Some books have become so ubiquitous in our culture – Where the Crawdads Sing or The Girl on the Train – that it’s easy to forget those were debut novels by writers no one had ever heard of. What makes a total unknown become a blockbuster bestseller? No question it needs to be a great book, and have lucky breaks along the way, but there are also consistent structural forces and efforts happening behind that scenes that help lift unknown writers into bestsellerdom. Come behind the scenes to see daily case studies of different breakout debut success stories: we’ll cover memoir, mystery/thriller, and literary fiction, among other genres. You’ll hear all about the behind-the-scenes publishing planning and outreach, the author’s own efforts, the shaping of the hook and messaging, the jacket art process, and all the other decisions that helped collectively tip these books into becoming long-running bestsellers. You’ll also have the opportunity to craft and refine your own pitch language, descriptive copy, and overall framing of your own project over the course of the four days, with time for class feedback and personalized attention.

A small group workshop | 4 Afternoons | 3 hours per day

Steven Rowley is the New York Times bestselling author of Lily and the Octopus, a Washington Post Notable Book of 2016, The Editor, named by NPR as one of the Best Books of 2019, The Guncle, a Goodreads Choice Awards finalist for 2021 Novel of the Year and winner of the Thurber Prize for American Humor, The Celebrants, a TODAY Show Read With Jenna Book Club pick, and USA Today Bestseller The Guncle Abroad. His fiction has been published in twenty languages.

Originally from Portland, Maine, he is a graduate of Emerson College and currently resides in Palm Springs with his husband, the writer Byron Lane, and two rescue dogs.

 

Writing About Relationships

with Jeanine Cummins

 

Developing strong, flawed, complicated characters is crucial to creating believable stories, and the traditional tools for character development can be very helpful, but once you have a character profile in place, what comes next? How do you grow a character from a robust but two-dimensional profile into a living, breathing, memorable, tactile human being? Take them off the page and into a relationship. This is the soil where character blooms.

In this class, we will explore the ways a character changes as soon as they are in relationship with others. Regardless of personality, position, circumstances, it is through the lens of interaction with other people (both physical and psychological) that we truly get to know our characters. The gulf between internal and external relationship is where the most nuanced and important characteristics can come to life.

The Storytellers Craft

with Patti Callahan Henry & Ariel Lawhon

 

Patti Callahan Henry and Ariel Lawhon, two NYT bestselling authors will take you through guided discussions, hands-on exercises, and real-world examples from their own careers that will help you master the two skills necessary to write a great novel — storytelling and writing. In this safe, inspiring environment we will demystify the often-intimidating language and process of storytelling and will give practical help to take your writing to the next level. This class is for writers at any stage—whether you’re nurturing the seed of an idea, shaping your novel’s structure, or polishing your prose to perfection.

Together, we’ll explore the foundational elements of compelling fiction through:

  • crafting a strong premise
  • creating a central question that drives the novel forward
  • developing unforgettable characters
  • building a propulsive plot
  • maintaining strong pacing
  • layering your story with themes and subtext
  • and helpful revision techniques

At the heart of this class is the belief that both storytelling and writing are skills that can be cultivated. Every writer is unique, but the lessons taught in this class can be adapted to any existing process. Whether you’re writing a literary novel, an edge-of-your-seat thriller, a heart-pounding romance, or a tale rooted in a fantasy world, this class will not only illuminate the path forward but will make you excited to continue the journey.

Write On: Achieving Successful Publication

with Ryan Harbage​

 

As an agent, I read thousands of queries a year. And hundreds of manuscripts. Few query letters are compelling. And when considering manuscripts, most of the time I know if I will want to offer to represent someone within the first few pages. How can a writer get to a yes?
 
In this course we will analyze a successful query letter,  and workshop your title, query letter, and the first three pages of your manuscript. We will discuss the early stages of the publishing process, including querying and negotiating an agency agreement.
 

This class will be especially useful for anyone planning one-on-one sessions with agents or publishers later during the conference. Ryan’s guidance will help you polish your presentation to maximize the chances that the agent or publisher will be intrigued, will request a full manuscript, and take you on as a client.

2025 Conference Schedule

This schedule is subject to change.

Thursday, November 13th, 2025

Time Puna Court
7:00 pm

– BOOK SIGNING EVENT –
Attendees will share stories of their journeys to successful publication, and sign and sell copies of their books.
Pupus and cash bar.

 

Friday, November 14th, 2025

Time Kauai Ballroom 2 Kauai Ballroom 1 Puna Ballroom
7:30 – 9:00

– BREAKFAST –
Puna and Kauai Courts
(Registration table opens at 7:30 by Puna Ballroom)

9:00 – 9:30 WELCOME AND BLESSING
Kumu Sabra Kauka’s hula halau
   
9:30 – 10:30 Tim Seibles, Rachel Eliza Griffiths
Bringing poetry to your prose
   
10:45 – 11:45 Rebecca Makkai,
Meg Wolitzer

Dialogue: finding the voice of your characters
   
12:00 – 1:00 – LUNCH –
Puna and Kauai Courts
1:15 – 2:15 Joshua Mohr
Workshop: Plaracterization
The kiss between plot and character
Jeanine Cummins, Priya Parmar
Whose story should we be allowed to tell?
CeCe Lyra,
Lyn Liao Butler

Alternative vs mainstream publishing
2:30 – 3:30 Steven Rowley
Workshop:
What really makes us laugh
Susan Golomb, Janelle Brown
The Author Agent Relationship
Laura Lentz
Writing Memoir: Initiation
3:45-4:45 Ali Hazelwood
Writing Romance
(Moderated by Lyn Liao Butler)

Tom Colgan, Jynne Dilling, Sam Hiyate
How publishing is changing

Patti Callahan Henry,
Ariel Lawhon, Paula McLain
Workshop: telling forgotten stories

Saturday, November 15th, 2025

Time Kauai Ballroom 2 Kauai Ballroom 1 Puna Ballroom
7:30 – 9:00

– BREAKFAST –
Puna and Kauai Courts

9:00 – 10:00 David Paul Kirkpatrick,
(Former President of Paramount Pictures)
Jim Burke
(Production president, Focus Features)
The winding path from book to film
Christina Baker Kline,
John Searles

You can’t do this alone— Finding and building your creative circle
10:05 – 11:05 Jean Kwok, Lyn Liao Butler
Plot Twist:
Reinventing Your Career
Danielle Trussoni,
Patti Callahan Henry

Finding your own writing process
11:10 – 12:05 Joshua Mohr
Writing your real life:
Painful but worth it
Priya Parmar
Workshop: Openings and endings
Grant Faulkner
The art of brevity
12:15 – 2:15 BEACH SIDE LUNCH
Tim Seibles, Rachel Eliza Griffiths and Jonathon Medeiros
reading and discussing their poetry
Under the tent at the Kalapaki Beach Luau Grounds
2:30 – 3:25 Christina Baker Kline,
Sadeqa Johnson

Writing characters that readers will fall in love with
Wendy Sherman,
CeCe Lyra,
Kirby Kim

What agents are looking for today
Jonathon Medeiros
The poetry of growing up on Kauai
3:35 – 4:25 Jeanine Cummins
Workshop: The art of writing conflict
Lisa Sharkey
Building your platform:
Making social media work for you
Steven Rowley,
Ali Hazelwood
Pacing your novel:
How to make it snap
4:35 – 5:25 Liz Moore, John Searles,
Janelle Brown
We’re all Family
Writing the family dynamic

6:00 – 9:30 – LUAU –
Featuring the Makaha Sons and the Punua Family
At the Luau Gardens under the tent at Kalapaki beach.
 

Sunday, November 16th, 2025

Time Kauai Ballroom 2 Kauai Ballroom 1 Puna Ballroom
9:00 – 11:00

– COURTYARD BRUNCH –
With tables hosted by participants with unique stories
Puna and Kauai Courts

11:10 – 12:10
Rebecca Makkai, Liz Moore,
Christina Baker Kline

Where the Light Gets In: Writing Dark Stories with Clarity and Compassion
Jim Burke
How I made unknown books into award winning movies
George Mano
How to make exotic foreign locations and characters come alive
12:20 – 1:20 Priya Parmar, Meg Wolitzer,
Paula McLain

The writing process: find what’s holding you back
Heidi Pitlor, Jenny Xu
Workshop: editing your work
Tim Seibles
Poetry Workshop
1:30-2:30 Sadeqa Johnson, Wendy Sherman
Finding your champion:
How to land the right agent
Which Publishing Path is Right for You? A Live Quiz to Discover Your Best-Fit Strategy
Angeline Rodriguez, Amy Collins,
Samantha Fabien

How agents evaluate your work
2:40-3:40 Ryan Harbage,
Aram Fox, Thao Le

Query letter clinic
April Bosshard

Deep Story Design:
Structure & Character Development for Long Form Narratives
Desireé Duffy
(Founder, Black Chateau and The BookFest)
Aligning Craft with Marketing Starting on Page One
3:50-4:50 Jean Kwok
 Write the Wave: How to Thrive in a Changing Publishing World
5:00-5:20 Closing Ceremony